SHARE YOUR NEWS:

CONTACT [at] RADIOMETAL [dot] FR

Interviews   

Gojira’s Subconscious


There are countless symbols, interpretations and new influences on Gojira’s new album. One of which is the album’s title, L’Enfant Sauvage, which could be seen as an homage to the band’s origins: both France and Mother Nature. These references, however, don’t seem to be conscious efforts from the band members who, admittedly, write from inside their own bubble and realize only afterwards – sometimes from journalists’ comments – the multiple levels to be found in their own music.

We talked about the album with Mario Duplantier and analyzed their musical evolution as well as the themes they tackle. According to him, Gojira has – from one album to another – talked about life in their lyrics and in its artwork, in a progressive or even cyclic way. In this sense, L’Enfant Sauvage is a new beginning, following their previous album The Way Of All Flesh, which was focused on death. We also tried to understand where this melodic turn came from and what it meant for the band.

Towards the end of the interview, Franky Costanza – drummer in Dagoba and a regular on our radio – joined in to talk with Mario. A touching dialogue between two drummers who have enormous respect for one another and who used the occasion to thank each other for a few memories which they shared with the audience.

Read the interview…



Interviews   

Sonata Arctica and its youth


It’s to a Tony Kakko full of hindsight regarding both Sonata Arctica’s evolution and himself that we’ve talked a couple of days ago, as the band’s last record, Stones Grow Her Name, will be out soon, the 18th of May. The key-notion of this interview is youth. The youth that you have to protect from the previous generations’ foolishness. The youth that makes you imitate your idols to the price of your own personality. The youth that makes your first records what they are and that you can’t, or won’t find back again. Tony Kakko also puts into perspective Sonata Arctica’s last two records, admitting they went “to far” into complexity.

As a reaction to this, the new record has been written with the following leitmotiv: K.I.S.S., which stands for Keep It Simple, Stupid! We were just talking about youth: this album is also a tribute to the band’s first musical loves. Not to Ecliptica’s speed metal, but to some older ones.

This interview is full of wisdom but not lacking humor, especially thanks to a couple of jokes, some well-placed anecdotes and even a few cutting remarks.

Read the interview…



Interviews   

Michael Schenker pays homage to a closing musical era


Temple Of Rock is a rock album aimed at paying a grandiose homage – hence its impressive number of guests – to what Michael Schenker describes as the “handmade rock era”. An era that will soon end and make space for a new one, which the guitarist doesn’t reject for all that. Let’s not give in to the simplistic divide between the old and the new generation of musicians.

For logistical reasons he actually explains in this interview, only one track from this album is played on the current tour. The album will be put forward some more on the upcoming tours, in accord with the spirit of the record, which, in Schenker’s opinion, was made to last.

Come and delve with us into the current affairs of the former Scorpions and UFO guitarist, whose impressive discography boasts over fifty albums.

Click here to read next…



Interviews   

KREATOR: MORE THAN JUST THRASH


Mille Petrozza doesn’t like to get bored. Not on one album, not from one album to the other – hence a constant search for diversity and, without going so far as spectacular renewal, novelty on Kreator’s records. All the more so since Kreator is Mille’s only outlet. However, don’t think this all stems from a grand conceptualization of music: Mill insists that the band doesn’t overthink their albums, but rather do what the song demands.

We asked him about the band’s new album, Phantom Antichrist, a powerful, diverse, melodic and epic thrash record, which even offers a few Gothic moments in the spirit of Endorama. Among other subjects, we also asked him his opinion on the financial crisis and, on a more musical level, his relation with the Big Four.

Interview…



Interviews   

Kyuss Lives! in Heavy Metal Food: John Garcia takes his time


Interview after interview in Heavy Metal Food, I realize that the topic of food fascinates people and my guests are no exceptions. Every one of them gives his opinion on the matter and enlightens us a bit more about our relationship with food and about the difficulty of eating healthily, especially on tour. This week, with Kyuss Lives! I give you the words of a true epicurean, and his words will have you drooling all over them. As far as I am concerned, by the time I reached the end of this interview, I had the most insane craving for barbecue-grilled Spanish sardines.

Stay Hungry. Stay Metal.

Gilles Lartigot “The Heavy Metal Cook”

Interview conducted on june, 19th, 2011 at the Hellfest Open Air Festival (Clisson, France)

Kyuss Lives!’s website : Kyusslives.com



Interviews   

Andrew W.K.: Carpe Diem


Through his work and his life, Andrew W.K. is the most vibrant incarnation of the expression “Carpe Diem”. Since he’s coming from a very academic family and musical training, his goal through his music and his life has always been to have fun, and to spread this fun to those who listen to him.

We had the opportunity to talk to a man who seems very surprised to still enjoy the songs from his first album, I Get Wet. Andrew will celebrate the album’s tenth anniversary by playing it in its entirety as part of a special tour that will stop by Paris tonight, April 16th, at La Maroquinerie. When he mentions his latest EP, called – as we could almost have guessed – Party All Goddamn Night, he tells us that his next album will be “the most exciting rock’n’roll I can make”, in line with the rest of his career.

Interview…



Interviews   

Charlotte Wessels (Delain) and her relation to art


Charlotte Wessels, Delain’s vocalist, is passionate about art in all its forms and loves to create above all else – whether it is music, lyrics or visual work. Therefore, it comes as no surprise that she should appear less than enthusiastic when asked if Delain will soon release a live album, especially since so many videos can be found on YouTube nowadays. As it turns out, she’s much more excited when she describes the way Delain turned their way of composing upside down for their new record, We Are The Others – which will finally be released on June 4th, after heaps of difficulties related to the selling of Roadrunner Records to Warner –, the way the artwork and the lyrics of the album were created, or her new photography project.

The creation process is so captivating that it’s bound to elude the listener, who only ever discovers an album from the emerged surface. For an artist, on the other hand, this process is never-ending and represents an entire life’s soundtrack.

Interview…



Interviews   

Jaz Coleman (Killing Joke): visionary or idealist?


Jaz Coleman is a rather incredible character. First of all, the leader of Killing Joke has many things to share regarding his view of the world. Carried away by his convictions and his ideas, he sometimes even forgets to answer the questions you’re actually asking him. His mind is so lively that the journalist who tries to interview him cannot help but feel a little useless. So you just let him talk, listen to him attentively, laugh at his sallies and nod at his humanist ideals.

What’s more, Coleman is one of those rare people whose words are actually in accord with their actions. The most compelling proof is that the man lives in perfect harmony with nature on a small island in the Pacific, three hours from New Zealand if you jump on a plane, where he enjoys neither electricity nor telephone. For the anecdote, at the end of the interview, we asked him if he wanted us to send him the link to the article. To which he replied: “Absolutely! But I don’t have a phone or a computer, so good luck with that!” Followed by one of the infectious laughs that punctuated the entire conversation. An incredible character, we’re telling you.

This interview was a good opportunity to penetrate the mind and way of thinking of this extraordinary artist. His answers regarding Killing Joke’s new album, MMXII, will show you that the use that was made of the end-of-the-world-in-2012 subject is much more subtle than one might think at first. We were recently writing: “With this album portraying the end of the world and its context, Coleman is actually aiming at an ‘after’”. Which Coleman confirms by exposing his thoughts on a new beginning for mankind, fundamentally focused on nature, sharing and love.

But let’s not spoil the interview any further, and let the man speak for himself.

Interview.



Interviews   

Amon Amarth in Heavy Metal Food: the Food of the Gods



In the kingdom of Ásgard, do you think Odin stuffed Big Macs down his throat while the Valkyries drank some Slim Fast? That the valorous Einherjars finished a pots of Nutella before great battles? They had strong arms to hold a mug of mead and a boar haunch in each hand, in the evening, during their gargantuan meals. Cheers! The food of the gods still exists today. You won’t find it in hypermarkets or in fast food restaurants. It’s in our farmers stalls! Those men and women who bend over backwards in the fields to try to survive the agribusiness and large-scale food retailing. So if you want to feed as the gods do, if you want to be as strong as Odin’s warriors, as well built as Valeria, go buy your food in farmers markets. It’s a healthy act as well as a political statement.

Stay Hungry. Stay Metal.
Gilles LARTIGOT « The Heavy Metal Cook »

Interview conducted on August, 18th, 2011 at the Club Soda in Montréal (Québec)



Interviews   

Mike Portnoy, the polygamist


The Adrenaline Mob and Flying Colors albums are the two first albums Mike Portnoy has worked on since his departure from Dream Theater. Having two completely different styles the albums, however, do share the same spontaneity, both being presented by their creators as the result of an instant chemistry. It’s easy to picture these musicians in a state of effervescence and creativity that led the writing process of these two albums to be brief and without hesitation. Simplicity is the word to be stressed here, simplicity in the music and in the way it was written, which leads us to this easy conclusion: these projects could be a fleeting way for Mike Portnoy to take his mind of his departure from Dream Theater. But it’s not that simple.

First of all, there’s no doubt about Mike Portnoy’s musical eclecticism. When it comes to the way he works, this whole style revolving around a spontaneous writing isn’t new to him either, Dream Theater having been writing their albums really fast these past few years – which is the main point on which they are criticized by their fans. Last year, he had described himself as being a divorcee enjoying his new-found freedom, a metaphor which he toned down a bit in this interview as bimbos can be nice for a while but a divorcee eventually misses being in a couple. For those who thought of Adrenaline Mob and Flying Colors – two very attractive musical projects – as the artistic equivalent of one night stands to help heal one’s wounds, Mike Portnoy answers: “I’m more of a polygamist”. For him, these bands have the potential to be around for years, as suggested by “Omerta” the title of Adrenaline Mob’s new album, which he describes as an oath people take when they enter a brotherhood. Adrenaline Mob is his new gang.

After any break-up, no matter the amount of cheerfulness you display or how convincing you are, it’s always difficult to rid your friends of their skepticism, as they’re convinced it is just a mask. No matter the truth or Mike Portnoys efforts to convince the public otherwise, they will always have doubts when it comes to how he feels about his departure from Dream Theater. We don’t claim to know the truth, however, we do understand why that may annoy him.

As for the truth, apart from shrinks, no one can really claim to know it. Too many fans convince themselves that they know their idols personally, which can be even more the case given the drummer’s honesty and interactivity with his fan-base. Such a choice has its advantages and its by-products, but Portnoy seems to want to stick to it.

Interview…



  • Wednesday, 9 May 2012 à 13:55
    Sonata Arctica and its youth
    Wednesday, 2 May 2012 à 19:30
    Gojira: L’Enfant Sauvage track by track
    Tuesday, 1 May 2012 à 16:46
    Gojira’s Subconscious
    Sunday, 29 April 2012 à 13:25
    Gojira: Joe Duplantier answers your questions
    Friday, 27 April 2012 à 8:21
    KREATOR: MORE THAN JUST THRASH
    Wednesday, 25 April 2012 à 14:18
    Andrew W.K.: Carpe Diem
    Thursday, 12 April 2012 à 9:47
    Jim Marshall: more than a brand
    1/3
    scorpions nancyontherocks michaelschenker
    wasp textures stephanforte eths doro devildriver darkfuneral cob archenemy anneke amonamarth