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Interviews   

Amon Amarth in Heavy Metal Food: the Food of the Gods



In the kingdom of Ásgard, do you think Odin stuffed Big Macs down his throat while the Valkyries drank some Slim Fast? That the valorous Einherjars finished a pots of Nutella before great battles? They had strong arms to hold a mug of mead and a boar haunch in each hand, in the evening, during their gargantuan meals. Cheers! The food of the gods still exists today. You won’t find it in hypermarkets or in fast food restaurants. It’s in our farmers stalls! Those men and women who bend over backwards in the fields to try to survive the agribusiness and large-scale food retailing. So if you want to feed as the gods do, if you want to be as strong as Odin’s warriors, as well built as Valeria, go buy your food in farmers markets. It’s a healthy act as well as a political statement.

Stay Hungry. Stay Metal.
Gilles LARTIGOT « The Heavy Metal Cook »

Interview conducted on August, 18th, 2011 at the Club Soda in Montréal (Québec)



Interviews   

Mike Portnoy, the polygamist


The Adrenaline Mob and Flying Colors albums are the two first albums Mike Portnoy has worked on since his departure from Dream Theater. Having two completely different styles the albums, however, do share the same spontaneity, both being presented by their creators as the result of an instant chemistry. It’s easy to picture these musicians in a state of effervescence and creativity that led the writing process of these two albums to be brief and without hesitation. Simplicity is the word to be stressed here, simplicity in the music and in the way it was written, which leads us to this easy conclusion: these projects could be a fleeting way for Mike Portnoy to take his mind of his departure from Dream Theater. But it’s not that simple.

First of all, there’s no doubt about Mike Portnoy’s musical eclecticism. When it comes to the way he works, this whole style revolving around a spontaneous writing isn’t new to him either, Dream Theater having been writing their albums really fast these past few years – which is the main point on which they are criticized by their fans. Last year, he had described himself as being a divorcee enjoying his new-found freedom, a metaphor which he toned down a bit in this interview as bimbos can be nice for a while but a divorcee eventually misses being in a couple. For those who thought of Adrenaline Mob and Flying Colors – two very attractive musical projects – as the artistic equivalent of one night stands to help heal one’s wounds, Mike Portnoy answers: “I’m more of a polygamist”. For him, these bands have the potential to be around for years, as suggested by “Omerta” the title of Adrenaline Mob’s new album, which he describes as an oath people take when they enter a brotherhood. Adrenaline Mob is his new gang.

After any break-up, no matter the amount of cheerfulness you display or how convincing you are, it’s always difficult to rid your friends of their skepticism, as they’re convinced it is just a mask. No matter the truth or Mike Portnoys efforts to convince the public otherwise, they will always have doubts when it comes to how he feels about his departure from Dream Theater. We don’t claim to know the truth, however, we do understand why that may annoy him.

As for the truth, apart from shrinks, no one can really claim to know it. Too many fans convince themselves that they know their idols personally, which can be even more the case given the drummer’s honesty and interactivity with his fan-base. Such a choice has its advantages and its by-products, but Portnoy seems to want to stick to it.

Interview…



Interviews   

Borknagar: Øystein G. Brun finds balance between progress and tradition


Nobody knows for sure whether it is the return of famous bassist/singer ICS Vortex that sparked off Borknagar’s creativity, or if it’s precisely the band’s creativity that drove the man to join it again. Probably a bit of both. Whatever the answer, the Norwegian band is about to release Urd, a most accomplished and rich album. Possibly even the most accomplished and rich album in their career.

We simply had to know more about the genesis of such an album – for this is not the sort of result you get in a snap, from one day to the next. Øystein G. Brun, the band’s founder, guitarist and main composer, told us as much: not only did the band start shaping Urd before its predecessor, Universal, was even recorded, but this album demanded all of his time, 24/7, during six months. For this time, beyond mere composition, Borknagar wanted to polish every single detail, especially the production aspect.

So here we are: Borknagar are back, and they bring with them an album that deserves every scrap of attention you’ve got. Cherry on the cake, this is also a very balanced album, standing somewhere between a desire for progress and a will to keep all the key elements that have made the band’s strength since they started off. The title of the album, Urd, is therefore a tribute to the past – the kind that makes you go forward.

Interview.



Interviews   

Paradise Lost : the idol isn’t always the one you’d think it is


Nick Holmes, Paradise Lost singer, is a guy full of contradictions: he hates idol worship while being himself considered as an idol by his numerous fans. He’s fascinated by religions even though he finds them beyond understanding. According to him, Paradise Lost is, above all, a metal band, but still according to him, one of the band’s most important records isn’t metal at all. Sadness doesn’t inspire him because he thinks it’s too negative, but then sad music makes him feel good, and is considered positive. This complexity is probably a part of what makes the artist’s subtlety and, by extension, Paradise Lost’s uniqueness. Maybe that’s when you’re torn between opposites in your urges, your ideas and your feelings that creative energy starts to flow.

If there’s a permanent feature that never, or almost never failed Paradise Lost, it’s creative energy, proof of this being their new opus Tragic Idol that’s being added to an already rich and exemplary discography. No style experiments anymore, but a real expertise that makes them more than ever the kings of gothic doom metal.

We talked to Nick Holmes on the phone a couple of days ago, and he answered our questions.

Read the interview…



Interviews   

Kai Hansen and Michael Kiske, joined in heavy matrimony


You’d dreamed of it, and so had they. Now they’ve done it. Kai Hansen and Michael Kiske joined forces in a single band, with every intention of making it a solid, long-lasting project. In any case, Kai, Gamma Ray’s frontman, intends to put himself into this new band, Unisonic, as much as into his main project, and to take turns with each band every other year. Given the tastes boasted by Kiske, who has for years tried to distance himself from the metal world, this project is probably the most likely to appeal to his die-hard fans, frustrated by his most recent career choices.

After the appetizer that was the EP Ignition, the album of the same title will be released at the end of the month. A heavy metal album, all at once fresh, inspired and varied, which, without revolutionizing a genre struggling to try new things, offers exciting heavy riffs and melodies. But the band mainly rests with a rather dreamy duo: Kai Hansen on guitar and Michael Kiske behind the mike. A prestigious combination for any heavy enthusiast, which Kai talks about with wonder in his voice; for him, this collaboration was painfully obvious, Michael being, in his own words, his musical soul mate.


Interview…



Interviews   

Overkill’s positive aggressiveness


“It’s been one hell of a ride!” That’s what Bobby Blitz Ellsworth would like his wife to have engraved on his gravestone. Nothing really original here, you’d think. The line between what deserves to be call a classic and what is merely clichĂ© can only be drawn based on our own criteria. Nevertheless, when you talk to Overkill’s emblematic frontman, you can’t help but realize that the only real difference between the two is sincerity. A clichĂ© is only disturbing if it’s the only thing you remember from a work of art, if it’s perceived as a grotesque costume. When a work of art is created through pure spontaneity and authenticity, that feeling just melts away. Honestly, would anyone here call Lemmy a clichĂ©?

More to the point, the members of Overkill won’t revolutionize music, but there’s little doubt they do things with passion. They love what they do. Even better: they STILL love what they do, even after the twenty-fifth anniversary of their career. We’ve asked Bobby to give us his feelings, his analysis, his memories regarding this band life. And the main point is pleasure. A pleasure the listener will perceive in the band’s aggressive but still positive music, as well as in the friendship that unites the musicians. What the title of this new record, The Electric Age, describes is precisely the effervescence that goes beyond the album, beyond the stage, and implants itself in the listener’s mind, making Overkill part of a community and of a genre they’re proud of.

On the occasion of the release of The Electric Age, on March 30th, this little chat was the opportunity to look back with an enthusiastic and talkative Bobby Blitz on Overkill’s longevity and its place in the world of music and thrash metal.


Interview…



Interviews   

Municipal Waste thrives (and survives) through partying


Following the example of Tankard, the guys from Municipal Waste play thrash, drink, party, mess around and put their audience in a trance. In terms of personalities – and there really wasn’t any doubt about that –, they’re spontaneous people, whose career as the spearhead of revival thrash metal was not planned at all: “When we were starting the band we would always listen to that, it’s just a no-brainer to play that kind of music for me. “. On and off the stage, this sense of partying is also a way to survive the trying rhythm of a tour.

On the occasion of the release, on April 13th, of the excellent The Fatal Feast (as opposed to “fist”, as some journalists with their minds stuck in the gutter would think), an album which conveys the band’s passion for horror movies, we had the opportunity to talk to guitarist Ryan Waste. After the interview, our translator ChloĂ© concluded that our minds were indeed forever lost in the gutter. Which Ryan Waste himself did confirm. And that is no small feat


Interview.



Heavy Metal Food   

Heavy Metal Food: Vincent Cavanagh (Anathema) facing temptations


On the weekly menu, I’d like to offer you the charismatic Vincent Cavangh. Anathema is a classy band playing a music “for the heart, for the soul”. That’s what Vincent, whose French, as you will see at the end of the video, is getting better and better, said. An interview in which the singer evokes Paris’ culinary temptations, the fact that his brother is a vegetarian and doesn’t drink, catering differences between England and France, and his very special concert in Montreal last year, opening for Blackfield.

Stay Hungry. Stay Metal.
Gilles LARTIGOT “The Heavy Metal Cook”

Watch the interview and get the ‘vegan powercake’ recipe…



Interviews   

ANNEKE VAN GIERSBERGEN: OPTIMISM AND HYPERACTIVITY


Everything Is Changing is the first album where Anneke Van Giersbergen is truly coming to terms with her condition of solo artist. Musically speaking, while its predecessor, In Your Room, was full of obvious joy, this new record gets back in touch with a still positive but more measured and deeper emotion, which takes the full weight of life into consideration.

More than opinions, this interview with the ray of sunshine that is Anneke conveys enthusiasm and freshness. Ever since she left The Gathering, the singer seems to have reached a form of bliss in her life: while she makes every artistic idea that goes through her mind (from a children’s play to a song with Napalm Death
) a reality, she spends all the time she needs with her family.

Anneke Van Giersbergen exudes happiness, and that’s enough. And when you read this interview, you’ll envy her her enthusiasm and her serenity.

Lire l’interview…



Interviews   

Black Stone Cherry rocks without getting hammered


A few weeks ago, we had John Fred Young – Black Stone Cherry’s drummer – on the phone. He had just come back from a tour, opening for Alter Bridge.

Having an erratic phone-line, this interview was hard to process. It was scheduled to take place two days earlier and had to be postponed for the following reason, which we laughed about with our contact from the record label: “Listen, I’m sorry, we’ll have to postpone the interview: we lost him, we don’t know where he is.” Many labels and managers probably get to experience this surreal situation pretty often when having to deal with somewhat absent-minded musicians who tend to disappear without a warning. Anyway, this was one of those interviews that could have never been published on Radio Metal.

Click here to read next…

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