There are countless symbols, interpretations and new influences on Gojiraâs new album. One of which is the albumâs title, LâEnfant Sauvage, which could be seen as an homage to the bandâs origins: both France and Mother Nature. These references, however, donât seem to be conscious efforts from the band members who, admittedly, write from inside their own bubble and realize only afterwards â sometimes from journalistsâ comments â the multiple levels to be found in their own music.
We talked about the album with Mario Duplantier and analyzed their musical evolution as well as the themes they tackle. According to him, Gojira has â from one album to another â talked about life in their lyrics and in its artwork, in a progressive or even cyclic way. In this sense, LâEnfant Sauvage is a new beginning, following their previous album The Way Of All Flesh, which was focused on death. We also tried to understand where this melodic turn came from and what it meant for the band.
Towards the end of the interview, Franky Costanza â drummer in Dagoba and a regular on our radio â joined in to talk with Mario. A touching dialogue between two drummers who have enormous respect for one another and who used the occasion to thank each other for a few memories which they shared with the audience.









Temple Of Rock is a rock album aimed at paying a grandiose homage â hence its impressive number of guests â to what Michael Schenker describes as the âhandmade rock eraâ. An era that will soon end and make space for a new one, which the guitarist doesnât reject for all that. Letâs not give in to the simplistic divide between the old and the new generation of musicians.




































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